Private School Jewel Masterbation

[The Ring 2]





[Director] Hideo Nakata

[Writer] Ehren Kruger

[Producer] DreamWorks

[Picture] Gabriel Beristain

[Edit] Michael N. Knue

[Cast]

Naomi Watts ... Rachel Keller Simon Baker

... Max Rourke David Dorfman

... Aidan Keller Elizabeth Perkins

... Dr. Emma Temple

Gary Cole ... Martin Savide

Sissy Spacek ... Evelyn Ryan Merriman

... Jake

Sequel Verbinski of The Ring, directed by Hideo Nakata in that country had done good things with the original, turns out to be something almost totally useless and senseless. The only time I had a start has been one of the opening scenes, and only because I was distracted and I did not expect, because even there [as in the rest of the flm] fear, let's call it, is very 'call'. I called useless, and I confirm, not really felt the need to return to Samara, and everything smells of commercial operation a mile away, he plays on the name of Nakata in the room to attract fans [like me, for example] . And in fact this is what the film is. Apart from some good ideas [and deer, I'm sorry, I'm not among them] is nothing more than a kind of remake of the first, in which change very little. And its sequel will be known only in some [small] references to the first American Ring. Samara no longer scare, go see her on TV and jerky is business as usual. One wonders what will they think in the third, already in production, probably. Naomi Watts's son, Aidan, is increasingly pedantic and obnoxious, as if it were not already enough in the first episode, of course, when it is 'owned' by Samara becomes extremely smieloso, and is not that it is better. Be abolished. Rachel has performed in scaled-style cliffhanger stalloniana of memory [forgive the comparison, but it really is the lioness climbing] his co-worker is not upset at nothing, and accept what is happening with enviable nonchalance. In addition, he and his mother are probably the small blind. Really, this film does not hit me for nothing, the rite ngo even more useless than Verbinski, who at least had a certain why. The various sequels [prequel and] made in Japan at least develop the story, they brought us aware of new facts about Sadako, not here. Nothing at all. A movie to avoid, much, much better rented [or buy] japponese the DVD version, which, of course, have their faults too, but at least they are decent. This, I'm sorry, it is not. It is also disturbing to see how Hollywood do not know of producing a decent story [it's all to do a remake, or dull film] and see dollars and U.S. dollars literally thrown into a well [ah ah, that humorist who are] to give the light stuff at this level. Give us back Sadako, really, who is also the prettiest American Samara. And, my god, those deer. Those deer. Bah ...

Linsey Dawn Mckenzie Pee

[biozombie]





[Director] Wilson Yip

[Writer] Wilson Yip, Matt Chow, Siu Man Sing

[Producer] Li Kuo-Hsing

[Picture] Keung Kwok Man

[ Fitting] Cheung Ka Fai

[Cast]

Woody ... Jordan Chan

Crazy Bee ... Sam Lee

Rolls ... Angela Tong Kui

... Lai Yiu Cheung

Loi ... Cheung Kam Ching

Zombie in a mall. We have already seen, of course. But despite that, this Hong Kong film of '98 is still enjoyable. The story centers on the adventures of a group of boys trapped inside a shopping mall [their work] besieged by zombies [which, as tradition says, were born thanks to the military]. The main characters, Woody, Crazy Bee, Jelly Rolls, Kui, his wife, Loi, and finally, the boy of sushi are now presented and characterized in the first minutes of the film. As mentioned earlier, the source of the zombie is the fault of the military, and these, in fact, Iraqis are buying from a drink that is actually a chemical weapon in the form of soda, which, if taken, becomes invincible beings [even if, objectively, a bit stupid]. But something during the transaction goes wrong: that the Iraqis had to be brought along for demonstration, breaks free and kills two of these before being knocked out [with a blow to the head, of course]. Slowly, the zombies infest and reproduce throughout the mall. The film ends differently from the way we are used, there is a 'twist' finish which completely changes the perspective. Despite low claims, the story flows well, succeeds in being fun and is definitely better than the other pseudo-horror film. As I said before, these living dead shall respect the traditional rules of 'zombie movies': the military origin, the blow to the head to eliminate them, slowness of movement, stupidity. But these are, basically, the things that they have acquired, that 'should' be, so it is no lack of originality, but rather a confirmation of what we already know. Among the players, the ones that stand out above the others are undoubtedly Woody and Bee, two idlers who should manage a VCD shop, but instead do something completely different: fees for their leader, molest girls, getting drunk, stealing and so on. The sympathy towards them, therefore, arises spontaneously. The film, while dealing with an argument typical of horror, comedy tends to not take itself too seriously, although there are some more dramatic moments [I think the death of Bee, but also to the final]. Final, of course, differs from the playful tone maintained so far: the zombies are taking possession of our world, and in the words of the Annunciation, the situation is hopeless, because that invites the survivors into hiding. Far from the 'social protest' that made Romero [and even anguish, the fear that the work of American director give us], 'Bio Zombie' is still pleasant. The ingredients are all there to have fun, after all: the protagonists are sympathetic [and thanks to Angela Tong, the eye has its share], the zombies are sufficiently well-made, blood is there, but not to dry , laughing and sometimes it even has a slightly [issimo] or gasp. What do you want more from a movie like this? Nothing, in fact. Perfect for a night out with friends, popcorn and beer. Watch it. You will not regret. Only note: cercatevi the original edition, not one built for the U.S. market, because in the latter all the characters speak in an American slang which is a little annoying at times [to me].

Soccer Team Open Tryouts Ohio

[inframan]





[Director] Hua Shan

[Writer] Ni Kuang

[Producer] runme

Shaw [Picture] I-Shan Lan

[Cast]

Danny Lee ... Infra-Man

Terry Liu ... Princess Dragon Mom

Wong Hap ... Professor

Yuan Man-Tzu ... Chan's Daughter

Lin Wen-wei ... Chu Ming

produced by Shaw Brothers in 1975, which is a guarantee for the genre, is a kung fu movies and monsters. The Infra-Man title is a kind of superhero created by the professor? to destroy the demons sent by Princess Dragon Mom [or Elzibub VCD version the film]. Yingde Professor Liu and his colleagues after receiving the message from the princess, decides to fight to save the world from this threat. One of the partners, Rayma, volunteers to be transformed into Infra-Man, knowing that the procedure is very painful. From this moment on, everything is a continuous battle between the men of the research, led by our hero, and the soldiers and the demons of the princess. Until we get to the final clash between her [a mutant capable of assuming the shape of a dragon flying and with self-healing capacity] and Infra-Man. Of course we see the victory of good. Although the special effects totally kitsch, if compared with what we are used, the film is pleasant, and the main character has created a niche in the hearts of viewers with this interpretation, which, though 'poor' and sometimes even a little naive, do you follow to the end, involving the audience. And even if the monster suits are obviously rubber suits, laser beams are shown in all their fiction, the characters are affected when they are thrown to the ground [there is a scene, for example, where a mutant alien plunges literally in the lake], well I liked the film, reflecting the fact that not always need the money to do a good job. It 's true, by comparison with today's martial arts movie actors of the technique is much more scarce, but this is not necessarily a defect. A nice movie with a protagonist just as nice and memorable dialogue, in their simplicity. To look and see, absolutely, because the martial arts cinema is not just what we usually see today. In addition, Infra-Man is among the many fathers of the modern Power Rangers and the like, and see that these [or whoever they] actually come from very far away, does a little smile. I have appreciated, of course, be taken for what it is, a film very unassuming, but when viewed with the right spirit, and if you like martial arts fighting a little, well, low-level, this is the movie for you. As is well known, the kitsch is sometimes almost too beautiful, and this is one of those cases.